The West Wing  and the wider world:

Idealised America and the fantasy of the free world

Professor Helena Sheehan
School
of Communications

Dublin City University

helena.sheehan@dcu.ie

West Wing cast


 

The much-acclaimed television series The West Wing, running for seven seasons, was often seen as a dramatised civics lesson for the nation and even for the world. The programme was undoubtedly sophisticated, intelligent, ironic, well-written and well-made, but was it also arrogant and myopic ? Many commentators and citizens saw the programme as portraying the White House and its place in the world as it ought to be. Bumper stickers boosted BARTLET FOR PRESIDENT. 
 

This paper attempts to analyse the process of imagining the presidency and present world order in this way and asks: 


How did the series represent the US presidency and its authority in the contested terrain of global politics ?  
What was its underlying world view ?
What sort of contestation did it articulate ? 
What sort of contestation did it fail to articulate ? 
What was its ideological centre of gravity ?
What were its parameters of debate ?
How many voices dids it allow into the argument ?
How were they weighted ?
What voices were absent ?
How wide was the political spectrum it legitimised ?
How did it see the place of the US in the wider world ?


Is the president of the United States ‘the leader of the free world’ ?
How problematic is the seemingly unproblematic and constant reference to him as such ?
How do declarations, which seem left wing in
America, sound in Europe or in Africa ?
How did
The West Wing play into national and global politics in the contemporary conjuncture ?


Dr Helena Sheehan, School of Communications, DCU, helena.sheehan@dcu.ie