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roddy
flynn's teaching webpage
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BBC 1922 - 1945 BBC, a single company, licenced by the Post Office, financed by an annual licence fee: British solution to wavelength scarcity Broadcasting - a social invention Lord Northcliffe, (press baron), promotional stunt for The Daily Mail - broadcasts Dame Nellie Melba PO receives approx 100 applications for a broadcasting license Limited spectrum space problems solved by PMG persuading rival manufacturers to invest jointly in a small broadcasting station 1923 Sykes Committee on BBC finance
1925 Crawford Committee
Reith's manifesto for PSB system:
BBC legitimised its broadcasting by reference to the cultured elite who educated and informed from the studios.
Reflected in programme policy based on assumption of cultural homogeneity - not that every one was the same but that culture was single and undifferentiated. Reith determined that the audience should encounter everything that broadcasting could offer Programming actively sought to ensure that listeners heard the serious as well as the trivial.
Variety of programming was not driven by attempt to cater for different audience groups but by the changing moods of the average listener Royal broadcasts considered the triumph of outside broadcasting BBC and political independence. General Strike "Assuming the BBC is for the people and that the Government is for the people, it follows that the BBC must be for the Government in this crisis too." - Reith Reith seeks to further enhance public trust in the BBC's "authentic impartial news". Yet essentially adopts government line on issues as diverse as anticommunism and appeasement BBC and War War forces reconsideration of paternalistic tone – "it represented them as a liberal, compassionate, reforming administrator might have seen them." (Curran and Seaton) Announcers accents and names; populist shows Wartime organisation of the BBC survived into peacetime Move away from a view of society as an aggregate of individuals towards seeing it more as a set of particular groups with separate needs. Wartime broadcasting informed by new psychology of the listener. Need to produce programmes for specific audiences Role of the BBC changed - from guiding audiences towards the "correct" tastes to identifying audience needs. Reflected in The Third Programme - to broadcast highest possible cultural material, serious documentaries, education programmes, in-depth news analysis etc. The Home Programme - populist but intended to "imperceptibly raise the standard of taste, entertainment, outlook and citizenship." The Light Programme - diversion. Competition 1947 Beveridge Report - recommends continuing BBC Monopoly 1951 - Tory Govt. accepts commercial broadcasting (Pushed by TV Set Manufacturers, Talent Agencies, Advertisers.) Lord Woolton - ITV would promote industry, commerce and the free market Consistently asserted (then and since) that commercial broadcasting would revolutionise television broadcasting. Did it? BBC television characterised as run by bureaucrats - but suceeded in creating national service BBC had already faced external and internal competition Arguably BBC and ITV duopoly limited innovation Did ITV decimate BBC ratings? Won 80% of audience with two channels but by 1960 less than 60% of viewers had such sets. In terms of actual content - ITV closer to the BBC than expected due to: 1954 Independent Television Act Requirements (ITA) No other models available Distinctions - ITV more variety, BBC - more dox, current affairs ITV reinvents news presentation
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