Course Objectives

The course is intended to provide students with an intensive and rigorous grounding in film and television studies from a contemporary cultural perspective and in terms of the institutional policies and practices which bear on audiovisual production, distribution and exhibition.

It is designed to cater for postgraduate research at a time when a number of important initiatives are taking place in the audiovisual industries both in Ireland and at a European level.

The course situates film and related aspects of television in the wider context of developments in the audiovisual and communications industries in a cable and satellite age. It will facilitate in-depth study of Irish cinema and television from historical, cultural, social and economic perspectives with a view to evaluating images of Ireland on the screen and determining the specific needs and projected demands of the Irish film and television industries. The course will analyse audiovisual policy in Europe and its impact on Ireland and will make cross-cultural comparisons of ‘national cinema’ in Europe, Australia and developing countries with dominant Hollywood models.

On completion of the course the student will have acquired an ability:

Course Structure

Semester 1 Oct 30 - December 20 2002

Four Courses - All Core

Course

Lecturer

Credits

Ireland & National Cinema

Pat Brereton

5

Film Theory and History

Pat Brereton

5

Political Economy/Media

Roddy Flynn

5

TV Drama & Social History

Helena Sheehan

5

TV Structure & Policy

Colum Kenny

5  

 

Semester 2 Feb 3 - April 25 2003

Six Courses - Three Core, 2 Optional (Five in total)

Course

Lecturer

Credits

Film & TV Audiences

Mark O'Brien

5

Documentary in Film & TV

Marina Burke

5

Film & Television Finance

Roddy Flynn/Visiting Specialists

5

Choose Two of the following:

 

Screenwriting

Orla Burke

5

Gender in Film & TV

Stephanie McBride

5

European Cinema

Tony Coulson et al

5

 

General Books (i.e. ones you may considering purchasing for the course overall)

 

Film as Social Practice (2nd Ed.), Graeme Turner,(Routledge).

The Cinema Book (2nd Ed.), Pam Cook & Mieke Bernink (eds),(BFI).

Film Art (6th Ed.), Bordwell & Thompson,(McGraw Hill).

Film History: An Introduction, Bordwell & Thompson,(McGraw Hill).

How to Read a Film (3rd Ed.), James Monaco, (Oxford).

A History of Narrative Film (3rd Ed.), David A. Cook,(Norton).

Visible Fictions (2nd Ed.) John Ellis, (Routledge).

Power Without Responsibility (5th Ed.), James Curran and Jean Seaton, (Routledge).

Class Reps

Need to appoint Class Rep

Class Rep – forum through which general problems are handled. Class Reps also sit on Programme Board Meetings, dates of which will be advised.

Any personal difficulties should be addressed directly by the individuals concerned.

No personal tutor system for postgrads – but feel free to treat me as such.

Staff/Student Communications

Programme Chair (Roddy Flynn) available in Room C128 (ext. 8355).

Notice Board on Wall outside C124 in Grattan Building

Direct Email to Students

Facilities

IFC Library Cards

Extra Screenings – C124 Wednesdays 2 – 5 pm. (Note also existence of film society, although it’s purpose now somewhat obviated by VCRs.)

Media Production Society/DCU FM

Sports – Sports Centre Membership free

Health and Welfare

Computer Services – all students have access to word processing, spreadsheets, www and email.

Website - www.comms.dcu.ie/flynnr

Library

Books – Up to six. 24 hour loan.

CD-ROM – Social Citation Abstracts/Encyclopedia of Film

Internet

Periodicals

Video Collection and Viewing facilities.